Showing posts with label Spanish art. Show all posts
Showing posts with label Spanish art. Show all posts

Tuesday, 31 October 2017

Halloween Venuses: Witches by Luis Ricardo Falero


Witches going to their Sabbath (1878)


This painting by the Andalusian artist Luis Ricardo Falero (1851-1896) is, without doubt, the greatest painting of witches!  Not only does it feature some of the most voluptuously gorgeous witches ever (the witch in the foreground could raise the dead) but it has bats, flying monsters, ghouls and a goat.


Witches going to their Sabbath, study


Falero studied in Paris (having walked there from Spain) giving up a position in the Spanish Navy.  He eventually settled in London and died there at the young age of forty-five.  


Study of a witch


Falero's painting almost always contained naked or near naked women and often in a fantastical way as with his witches.  Ignoring, on the whole, the wizened crones of earlier times, Falero's witches were all curvaceous, gorgeous women.


Festival of the Witches (1880)


Two points on broom etiquette can be noted in the two paintings above.  Firstly, the witches' brooms are shown as flying brush first, which was the normal way before the more recent rocket-like brush at the rear depiction.  Secondly, his witches avoid any tasteless, sitting astride the broomstick, poses.   In fact this witch is decorously riding side-saddle!

Sunday, 1 October 2017

Harem Venus: The Harem Beauty by Francisco Masriera y Manovens

The Harem Beauty (1889)


This confident looking harem lovely is the work of Catalonian artist, writer and goldsmith Francisco Masriera y Manovens (1842-1902).  He first studied under his father, a silversmith, in Barcelona at the age of thirteen. Between 1862 and 1870 he made several trips to Paris, Rome, London and Geneva. By the age of 31 he had his own studio back in Barcelona.

He was a commercially successful painter, alternating between lucrative portraits, genre painting and orientalism; although unlike some other painters of the time he didn't actually travel to the Middle East or North Africa.

He continued with his interest in silver and gold working and a decorative vase he designed won a silver medal at the Paris Exposition of 1889.